2023 Festival – Jackson Hole Chamber Music

2023 FESTIVAL

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august 29, 2023 | 7pm CONCERT ONE

Divertimento in E for flute and string quartet

ANDREY RUBSTOV
(born 1982)

INtrada • INtermezzo • IN modo Finale

Lorna McGhee, flute
Justin Bruns and Jennifer Ross, violins
David Harding, viola
Ilya Finkelshteyn, cello

• String Quartet in F Major

MAURICE RAVEL
(1875-1937)

Allegro moderato • Assez vif, très rythmé • Très lent • Vif et agité

Jennifer Ross and Justin Bruns, violins
David Harding, viola
Ilya Finkelshteyn, cello

• Piano Quintet in E-flat Major op. 44

ROBERT SCHUMANN
(1810-1856)

Allegro brillante • In Modo d’una Marcia. Un poco largamente.
Scherzo. Molto vivace — Trio I — Trio II • Allegro ma non troppo

Karen Strittmatter Galvin and Rebecca Racusin, violins
Ben Ullery, viola
Francisco Vila, cello
Spencer Myer, piano

Post-concert reception generously provided by Bistro Catering Wine generously provided by Chris von Strasser and Jackson Hole Winery

august 31, 2023 | 7pm CONCERT TWO

Trio for flute, viola and cello, op. 40

ALBERT ROUSSEL
(1869-1937)

Allegro grazioso – Più allegro • Andante • Allegro non troppo

Lorna McGhee, flute
Ben Ullery, viola
Francisco Vila, cello

•

Quartet for FOUR violins

GRAZYNA BACEWICZ
(1909-1969)

Allegretto • Andante tranquillo • Molto allegro

Karen Strittmatter Galvin, Rebecca Racusin. Justin Bruns, Jennifer Ross, violins

• Impresiones de la Puna for flute and string quartet

ALBERTO GINASTERA
(1916-1983)

Quena • Canción • Danza

Lorna McGhee, flute
Rebecca Racusin and Karen Strittmatter Galvin, violins
David Harding, viola
Francisco Vila, cello

• Café Music for piano trio

PAUL SCHOENFIELD
(b. 1947)

Allegro • Rubato, andante moderato • Presto

Justin Bruns, violin
Ilya Finkelshteyn, cello
Spencer Myer, piano

Post-concert reception generously provided by Bistro Catering
Wine generously provided by Jackson Hole Winery

September 3, 2023 | 3pm CONCERT THREE

La Oración del Torero (The Toreador’s Prayer) for string quartet

JOAQUÍN TURINA
(1882-1949)

Karen Galvin and Rebecca Racusin, violins
Ben Ullery, viola
Ilya Finkelshteyn, cello

•

Theme and Variations for flute and string quartet, op. 80

AMY BEACH
(1867-1944)

Theme: Lento di molto, sempre espressivo • Variation 1: L’istesso tempo Variation 2: Allegro giusto • Variation 3: Andantino con morbidezza [quasi valzer lento] Variation 4: Presto leggiero • Variation 5: Largo di molto, con grand espressione Variation 6: Allegro giocoso

Lorna McGhee, flute
Jennifer Ross and Karen Strittmatter Galvin, violins
David Harding, viola
Francisco Vila, cello

• PIANO QUINTET IN A MAJOR op. 81 no. 2

ANTONÍN DVORÁK
(1833-1897)

Allegro ma non tanto • Dumka. Andante con moto Scherzo. Molto vivace — Poco tranquillo • Finale. Allegro

Justin Bruns and Jennifer Ross, violins
Ben Ullery, viola
Ilya Finkelshteyn, cello
Spencer Myer, piano

Post-concert reception generously provided by Bistro Catering
Wine generously provided by Chris von Strasser and Jackson Hole Winery

2022 Musicians

Justin Bruns

Violin

Ilya Finkelshteyn

Cello

Ilya Finkelshteyn

Cello

Principal cellist of the Cincinnati Symphony Orchestra since 2009, Ilya Finkelshteyn was praised by The Washington Post as a "complete master of his instrument," and has performed throughout the United States, Canada, Europe and Japan. In 2002 he became Principal Cello of the Baltimore Symphony Orchestra. Prior to that, Mr. Finkelshteyn was a member of the St. Louis Symphony Orchestra for five seasons.

Prize-winner of the Brahms International Competition, Concertino Praga, Russian Cello Competition, the WAMSO International Competition, the Aspen Concerto Competition and the Chautauqua Concerto Competition, Mr. Finkelshteyn has appeared as a soloist with orchestras including the Cincinnati Symphony Orchestra, Baltimore Symphony Orchestra, St. Louis Symphony Orchestra, and Mostly Mozart Festival Orchestra. As a winner of the Juilliard Concerto Competition, Mr. Finkelshteyn was a soloist with the Juilliard Orchestra on its tours to France and Bermuda.

Ilya Finkelshteyn started his education at the Special Music School at the St. Petersburg Conservatory. After immigrating to the United States, he studied at the University of Minnesota School of Music and the Juilliard School. Mr. Finkelshteyn plays a cello by Domenico Montagnana circa 1730 courtesy of Cincinnatti Symphony Orchestra.

David Harding

Viola

Lorna McGhee

Flute

Lorna McGhee

Flute

Scottish-born Lorna McGhee was appointed principal flute of the Pittsburgh Symphony Orchestra in 2012. Known for her “exceptionally rich and vibrant tone” (Washington Post) Lorna has performed as guest principal with Chicago Symphony, Minnesota Orchestra, London Symphony, London Philharmonic, Academy of St-Martin-in-the-Fields, Chamber Orchestra of Europe and has been fortunate to work with conductors such as Haitink, Gergiev, Rattle, Solti, Harnoncourt, Muti and Honeck. Before immigrating to North America in 1998, Lorna was co-principal flute of the BBC Symphony Orchestra, England. As a soloist, she has given concerto performances with the London Symphony Orchestra, Scottish Chamber Orchestra, BBC Scottish Symphony Orchestra in the UK and Manitoba Chamber Orchestra, Toronto Philharmonia, and Victoria Symphony in Canada and the Nashville Chamber Orchestra, Oregon Bach Festival Orchestra, San Luis Obispo Symphony and Pittsburgh Symphony Orchestra in the USA. Career highlights include a performance of Penderecki's flute concerto with the Oregon Bach Festival Orchestra under the baton of the composer in 2004 and more recently, a performance of the Nielsen Flute Concerto with the Pittsburgh Symphony in 2014 with Maestro Tortelier. As a chamber musician and recitalist, she has performed in Europe, North America, Australia, Singapore and Japan in such venues as London's Wigmore Hall, Edinburgh International Festival, the Louvre, Paris, the Schubertsaal of Vienna's Konzerthaus, Ottawa International Chamber Music Festival and the Australian Festival of Chamber Music. Her performances have been broadcast on CBC Radio in Canada, BBC Radio, NPR (USA), Netherlands Radio and ABC (Australia). She has made chamber music recordings for EMI, Decca ASV, Naxos and Meridian. Her recording for Naxos of Bax’ Chamber Music with the group ‘mobius’ was selected as Editor’s Choice in Gramophone Magazine. Along with Duo partner Heidi Krutzen, Lorna has released two CDs on Skylark Music: "Taheke, 20th century Masterpieces for flute and harp" and "Canada, New Works for flute and harp." As a member of Trio Verlaine (with her husband, violist David Harding and harpist, Heidi Krutzen) Lorna has recorded two CDs: “Fin de Siècle,” the music by Debussy and Ravel, and “Six Departures”, featuring works by Bax and Jolivet as well as new commissions by Schafer and Cotton. Both the Trio and Duo are committed to broadening the repertoire and have contributed eight new commissions to date. Lorna’s first flute and piano recital disc, “ The Hour of Dreaming” with pianist, Piers Lane was released on the Beep label in 2014.

Having taught at the University of Michigan and the University of British Columbia, Lorna is now a member of the flute faculty at Carnegie Mellon University. She has given master classes at universities, conservatoires and flute festivals in the UK, USA, Japan and Canada, including Julliard School and the Royal Academy of Music. She often teaches at summer schools, including the Pender Island Flute Retreat, the William Bennett International Summer School, and the Galway Flute Festival. Lorna studied with David Nicholson in Scotland, and with Michie and William Bennett at the Royal Academy of Music, London. She is an honorary “Fellow of the Royal Academy of Music.”

“Her range of colors was astonishing, not only golden and silvery, but ranging from cool to edgy to filled with human warmth.”

Nielsen Concerto, Pittsburgh Symphony, (Pittsburgh Tribune Review)

Spencer Myer

Piano

Spencer Myer

Piano

Lauded for “superb playing” and “poised, alert musicianship” by the Boston Globe, and labeled “definitely a man to watch” by London’s The Independent, American pianist SPENCER MYER is one of the most respected and sought-after artists on today’s concert stage.

Spencer Myer’s orchestral, recital and chamber music performances have been heard throughout the United States, Canada, Europe, Africa and Asia. He has been soloist with The Cleveland Orchestra, the Boise, Dayton, Rhode Island, Cape Town, Johannesburg and Louisiana Philharmonic Orchestras, Pro Arte Chamber Orchestra of Boston, the Baton Rouge, Indianapolis, Knoxville, New Haven, Omaha, Phoenix, Santa Fe and Tucson Symphony Orchestras, Indianapolis Chamber Orchestra, Mexico’s Orquesta Filarmónica de Jalisco and Beijing’s China National Symphony Orchestra, collaborating with, among others, conductors Michael Christie, Leslie B. Dunner, Arthur Fagen, Robert Franz, Bernhard Gueller, Jacques Lacombe, Jahja Ling, Timothy Muffitt, Yannick Nézet-Séguin, Kevin Rhodes, Lucas Richman, Steven Smith, Thomas Wilkins and Victor Yampolsky. His 2005 recital/orchestral tour of South Africa included a performance of the five piano concerti of Beethoven with the Chamber Orchestra of South Africa, followed by return orchestra and recital tours in 2008, 2010, 2012, 2015 and 2018.

Spencer Myer’s recital appearances have been presented in New York City’s Weill Recital Hall, 92nd Street Y and Steinway Hall, Philadelphia’s Kimmel Center and London’s Wigmore Hall, while many of his performances have been broadcast on WQXR (New York City), WHYY (Philadelphia), WCLV (Cleveland) and WFMT (Chicago). An in-demand chamber musician, he has appeared for five summers at the Lev Aronson Legacy Festival in Dallas with cellists Lynn Harrell, Ralph Kirshbaum, Amit Peled and Brian Thornton, and has enjoyed a recurring partnership with the Miami String Quartet at the Kent/Blossom Music Festival. Other artistic partners include clarinetist David Shifrin, sopranos Nicole Cabell and Martha Guth, the Jupiter and Pacifica string quartets and the Dorian Wind Quintet.

Spencer Myer’s career was launched with three important prizes: First Prize in the 2004 UNISA International Piano Competition in South Africa, the 2006 Christel DeHaan Classical Fellowship from the American Pianists Association and the Gold Medal from the 2008 New Orleans International Piano Competition. He is also a laureate of the 2007 William Kapell, 2005 Cleveland and 2005 Busoni International Piano Competitions. He enjoys an esteemed reputation as a vocal collaborator since winning the 2000 Marilyn Horne Foundation Competition. Mr. Myer was a member of Astral Artists’ performance roster from 2003-2010. An enthusiastic supporter of the education of young musicians, Spencer Myer has served as a guest faculty at the Oberlin and Baldwin-Wallace Conservatories of Music, and was a member of the Piano Faculty of Boston’s Longy School of Music of Bard College from 2016 to 2022. He is currently Associate Professor of Piano at the Indiana University Jacobs School of Music.

Spencer Myer’s debut CD for harmonia mundi usa - solo music of Busoni, Copland, Debussy and Kohs - was released in the fall of 2007 to critical acclaim by Fanfare and Gramophone magazines. Mr. Myer has released five recordings on the Steinway & Sons label since 2017: Piano Rags of William Bolcom, three discs with cellist Brian Thornton encompassing cello/piano repertoire of Brahms, Debussy and Schumann, and most recently Chopin’s Four Impromptus.

Spencer Myer is a Steinway Artist. www.spencermyer.com

Rebecca Racusin

violin

Jennifer Ross

Violin

Jennifer Ross

Violin

Jennifer Ross enjoys a well-earned reputation as a respected violinist and educator. Her orchestral career began at the age of 19 as Associate Concertmaster of the Honolulu Symphony. She then became a member of the Cincinnati Symphony before being named Principal Second Violin of the Pittsburgh Symphony—a post she held for 20 years.

Reflecting her deep commitment to teaching, Jennifer presents innovative workshops at festivals, universities and conservatories nationwide. She serves as Artist in Residence for Orchestra Studies at the National Orchestral Institute and is active in the Sphinx Organization, supporting diversity and inclusion in classical music. Ms. Ross appears regularly on the chamber music stage in series and festivals across the country, collaborating with celebrated artists including Yefim Bronfman, Pinchas Zukerman, Jaime Laredo, and Lynn Harrell. She has been heard on NPR’s Performance today from the Grand Teton Music Festival, where she performs each summer. Jennifer holds the Principal Second Violin chair of ProMusica Chamber Orchestra, and is a proud founder and Co-Artistic Director of Jackson Hole Chamber Music. Ms. Ross is a graduate of the Curtis Institute of Music.

Richard Scerbo

conductor

Karen Strittmatter Galvin

Violin

Francisco Vila

Cello

Francisco Vila

Cello

Vila brought out the fervor and vitality…consummate projection.” -The Strad Magazine (April 2012)

Francisco Vila began playing the cello at age 8 and had his solo debut with orchestra at 14. Concert activities have taken him throughout Europe, North and South America.

Performing collaborations have included those with artists such as Nobuko Imai, Cho-Liang Lin, Gary Hoffman, Wolfram Christ, Toby Hoffman, Sunwook Kim, Martin Chalifour, and members of the Juilliard String Quartet.

Vila has appeared as a soloist with the Simón Bolívar Symphony Orchestra, Houston Symphony, South Dakota Symphony, Aalborg Symfoniorkester, Liege Royal Philharmonic, Royal Chamber Orchestra of Wallonia, Santander Festival Orchestra, Indiana University Philharmonic, and all principal orchestras of his native Ecuador.

He has been a participant at the Ravinia Steans Institute and guest artist at the Beaumaris, Santander, and Stavelot music festivals among others. As a member of the iPalpiti Festival of International Laureates he performed in such venues as the Los Angeles County Museum of Art, Zankel Hall at Carnegie Hall, Philadelphia’s Kimmel Center, Los Angeles’ Disney Hall, Mozarteum Salzburg, and on international tours.

Mr. Vila views teaching as an important aspect in music making. In March of 2015, he founded and directs the International Music Festival of Esmeraldas (Ecuador) in his hometown. This is a social project that awards full tuition scholarships to numerous gifted young talents from Central and South America for two weeks of masterclasses with some of the world’s great artists. For his work with this platform, Mr. Vila has received coveted grants from the US State Department, Tarisio Trust, and the Sphinx MPower Grant.

Vila was granted a Presidential Scholarship to the Boston Conservatory for his Bachelor studies, after which he received a Performance Diploma from Indiana University where he was a student of Janos Starker, Sharon Robinson and Menahem Pressler.

In 2012, he was selected to the inaugural cello class at the prestigious Queen Elisabeth Music Chapel in Belgium, where he earned an Artist Diploma under the famed cellist Gary Hoffman. In the same year he became the second-prize laureate of the Sphinx Competition in Detroit Michigan.

Ben Ullery

Viola

Ben Ullery

Viola

Praised by the Chicago Tribune for his “febrile intensity,” violist Ben Ullery enjoys a multifaceted performing career as a soloist, chamber musician, orchestral leader and educator.In 2023 he was chosen by Music Director Gustavo Dudamel for the position of Associate Principal Viola of the LA Philharmonic and previously held the position of Assistant Principal in the same orchestra since 2012. In addition to his appearances with the LA Phil, Ullery has performed across the country and abroad in the role of Guest Principal Viola with the Chicago Symphony, Pittsburgh Symphony, Minnesota Orchestra, Detroit Symphony, St. Paul Chamber Orchestra, and Australian Chamber Orchestra.

An active solo performer, he has recently given recitals at Festival Mozaic and La Sierra University where he
premiered his own arrangement for viola of Brahms’ Violin Sonata No. 1. Ullery is currently planning his first
full-length duo album with acclaimed pianist Dominic Cheli which will feature works of Paul Hindemith, Rebecca Clarke, and Lillian Fuchs.

As a chamber musician, he has been in high demand in the Los Angeles area and at festivals and concert series in
the US and Europe. In addition to having performed over 50 chamber works on the LA Phil’s chamber music series
in Walt Disney Concert Hall, Ullery has appeared at the Mozaic, Music in the Vineyards, Mainly Mozart, Emerald City, Music at Millford, Leksand, Grand Teton, and Aspen festivals, among others. He has been featured on NPR’s Performance Today as well as local broadcasts on KUSC in Los Angeles and Minnesota Public Radio. As a
recording artist, he has been featured on releases on the Bridge and Albany record labels.

An enthusiastic teacher, Ullery is on the teaching faculty at the Colburn School in downtown Los Angeles where
he teaches orchestral repertoire as well as coaching the Colburn Orchestra’s viola section. Many of his former
students have gone on to hold positions with top orchestras in the US, Europe, and Asia. He has given
masterclasses at the Aspen Music Festival, California State University Fullerton, Azusa Pacific University, and the Shanghai Orchestra Academy.

A native of St. Paul, Minnesota, Ullery earned a Bachelor of Music degree in violin performance from the Oberlin
Conservatory, and later studied violin at New England Conservatory and viola at the Colburn School.

2023 Festival Artwork

RED HORSE 140

by SEPTEMBER VHAY

September Vhay names each horse by a number, according to the consecutive order in which it was painted. The sequence started with her original 2007 series, so all of the red horses she ever paints will march along a continuum. The progression will chart the red horses’ evolution. Painted without reference materials, the red horses tap her now instinctive knowledge of the horse. According to feng shui theory, the horse represents power, strength and grace, and the color red, associated with fire, represents passion, fame, dynamism and assertiveness. When fused, the red horse delivers “a double dose of empowerment.” “As much as I enjoy the more methodical oil and watercolor painting, it is liberating to work in this realm of loose abstraction and color.” Her horses transcend themselves, capturing not only their animal spirit, but also the essence of the West.

Excerpted from an article appearing in Jackson Hole News and Guide February 10, 2010 by Katy Niner